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Some people
think that it is good for a country’s culture to import foreign movies and TV
programmes. Others think that it is better to produce these locally. Discuss
both views and give your opinion.
People have different
views about whether it is better for a country to purchase foreign movies or to
create domestic ones. While importing movies from other countries can have some
advantages, I would argue that producing local movies is a much better option.
On the one hand, there are
some clear benefits of buying movies from other countries. Firstly, when a
country imports movies that are produced overseas, it can help its people learn
about other cultures in a much easier and more effective way. This would help
its citizens to be more knowledgeable. Secondly, individuals can learn the good
things of other more civilised societies and alter the way they behave. For
example, the habit of queuing is a nice thing in many Western countries, and
people from Vietnam can learn and copy this action when watching foreign
movies.
On the other hand, I
believe it is better for countries to produce movies domestically because of
some reasons. The first one is that movies made by local people would help to
preserve the traditions and customs of their own cultures. For instance, many
Vietnamese TV programmes remind young generations of how people celebrate Lunar
New Year, which is the most important public holiday in some Asian countries.
If young people only watch foreign movies, the traditional values might be
gradually forgotten. Another reason is that the film industry often create jobs
such as actors, directors or cameramen. Therefore, it is necessary to invest in
producing movies in order to provide more employment opportunities for local
people.
In conclusion, while
purchasing foreign movies is beneficial for a nation’s culture to some extent,
it seems to me that making local ones is a much better choice.
Sample 2
For the past decades,
the importance of a country developing its own motion picture expertise versus
importing foreign entertainment programs has been the center of attention in
the entertainment industry. I believe that having the best of both worlds would
work most effectively.
There are certain grounds supporting the view of featuring foreign
films and TV shows. Firstly, globalization supports the widespread of cultural
products that integrate within themselves the essence of the nation from which
they originates. Viewers, therefore, while enjoying the entertaining element of
these programs can simultaneously learn more about the world and its various
cultures. For instance, an Asian viewer can be amazed by the individualism
conveyed in western blockbuster movies while an American can explore the
significance of collective eastern values from a Chinese or Korean drama.
Furthermore, the international trade of these items has not only aided the
development of globalized culture but also broadened people’s understanding of
the diverse world around them. It is not deemed daring to say that without
cultural exchange through TV channels, feeling and learning about other
cultures would turn less visually impressive.
On the other hand, it is justifiable, though maybe considered
ethnocentric, that domestic entertainment products retain an equally indispensable
role in a country’s film segments. The most obvious reason is that the act of a
country developing its own movies and broadcasting industry is of necessity to
preserve its culture. Through local films and TV shows, children and
adolescents develop their cognition of local customs and traditional values and
have a tendency to practice them. Another endorsing reason is that domestic
films and shows are irreplaceable products that bring people true feelings and
complete understanding of contexts and clichés used. Since people can more
easily relate themselves to others who speak their language and whose behavior
they could totally understand, viewers can reflect themselves and their society
in a lively way through local TV programs.
In conclusion, I believe it is crucial for a country to find a
balanced coexistence of both ways, not only advancing towards globalization but
also preserving one’s unique film and TV industry.
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